His reactions to this young girl’s flirtations are worth the price of a ticket. Best scene revolves around her return to school when she tries to seduce the good-looking teacher, Mr. As Martin’s Jordan goes from spoiled adult to spoiled brat, the gags intensify and, though repetitive after a while, they still land some zingers. As long as Jordan is little, they are forced to play by the rules, even as Jordan tries to break every one of them. But when she becomes “little” again, the tables are switched as Williams must come off as a mother figure to her in order to avoid getting into big trouble from the Child Protection Bureau’s agent (Rachel Dratch) who threatens her with jail time if “little” Jordan isn’t back in school post haste. They are living in fear most of the time, and that particularly includes key assistant April Williams (Issa Rae). We see that played out early on in the form of the grown-up Jordan Sanders played intensely by Regina Hall. She takes no prisoners and is completely absorbed in herself.
Post haste plaza professional#
Martin takes on the key role of Little Jordan Sanders, who dominates the proceedings after that spell is cast and suddenly finds herself trapped in her past, but very much with the mind and mouth of a woman who is domineering in personal and professional life. The execution overcomes a very predictable seen-it-before setup. I am happy to say that, although more one-dimensional and a bit of a one-joke premise than was Big, some sharp writing from Tracy Oliver and director/co-writer Tina Gordon (from that “pitch” and a fleshed-out story by Oliver) and a great trio of female leads make this work as well as it does. In other words, she is a 35-year-old (or so) trapped in a 10-year-old’s body. Her idea essentially was a gender switch on the Big concept in which a demanding and self-possessed career woman who one day through the magic spell of another little girl, suddenly finds herself reverted to her 10-year-old self - but still barking orders and as obnoxious a personality as she was before. When I say young, I really mean it in this case as, believe it or not, Universal bought the concept of the new film, Little, after a pitch from then-10-year-old Black-ish co-star Marsai Martin.
Post haste plaza movie#
For the second time in just two weeks, after the current hit Shazam!, I am reviewing a movie clearly inspired by the 1988 Tom Hanks comedy, Big, the Gone with the Wind of body-swapping movies that apparently continues to have an impact on filmmakers young and old.
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